Not ‘why (you should) read Bond’, but ‘why (on earth) am I reading Bond’?
They’re as dated as you might expect. Bond is a terrible spy, mainly achieving his goals by stumbling into coincidences or being invited to work for the villain (at least once once in an admin role, of all things). Dei ex machina all over the place. The sexism and racism are indefensible, a product of another age maybe, but still appalling. So I should have a pretty solid reason for ploughing through the oeuvre, right? If only.
It’s the covers.
Vintage did a great job with these covers, IMHO – and despite what this guy sez – fulfilling their brief of emphasising the “cool and clever nature of Bond” (hmm but ok). They work brilliantly as a set.
The designs are plain, the typography fantastically inventive – see the negative space jewel in Diamonds Are Forever or On Her Majesty’s “Secret” masked by “Service”. The influence of Saul Bass is clear.
Those covers had leapt out at me when trawling through Foyles, but I only picked up Casino Royale. But then I stumbled across For Your Eyes Only in a second-hand bookshop, and the damage was done. How could I have books 1 and 8 in a series and not fill in the gaps?
They are an easy enough read, a curious window into the post-war English psyche. They’re packed with lavish descriptions of quality clothing, food and drink. The phrase “and a round of hot buttered toast” will be uttered by Bond at least twice per book. God help me, whenever Fleming turns to driving action, I can’t help but hear the words in the golden tones of broadcaster, Alan Partridge.
The hard part is the attitudes of the time. The sexism is cast in that ancient mode of misogyny-masquerading-as-idolatry. The racism is jingoistic, imperialist, Bond looking indulgently down on black people, all Americans, and Italians alike. Fleming uses the fig leaf of tokenism, always an admirable exception, the worthy Turk who nonetheless slips willingly into sidekick-hood.
(There’s no explaining away these two issues, they do leave a bad taste in the mouth. And this shows me how far my completist nature will push me to a) complete a set and b) finish a book I’ve started. Can’t not be done.)
It’s interesting to note how different Fleming’s Bond is from the movie version, how fallible or human he is, crying with relief, getting drunk (his champagne/Benzedrine hangover seems the worst), even giving up and longing for death. To be fair, that last happens after a giant squid attack – so in *some* ways the movies are more realistic.
This is a cartoonish world where the gangsters are named Billy Ring, Jed Midnight, and “Mr Helmut Springer of the Detroit Purple Gang”. It’s baffling how little time separates these often corny tales of derring-do from the complex physiologies and intricate, all-too-plausible plotting of early Le Carré.
Anyways, gotta go, Penguin just dropped a dope set of classic sci-fi covers…